It’s been a while since my last blog post, but I haven’t been idle. Among the many projects on the go, this coming week sees me participating in Surrey Artists’ Open Studios for the first time. Together with my friend, Jenifer Bunnett, I am opening my studio to the public. The Open Studios project offers the public access to artists and makers by visiting studios, meeting artists and makers, browsing completed works and learning about their method and work in progress. Our first open day is tomorrow, Sunday 5th June, and our studio is ready and waiting. In addition to sharing our printed work, there’s a slideshow of other photographs, a demonstration of the on-camera filter system we both use, and drinks and homemade cake served in my courtyard garden (weather permitting!). If you are able to make it, you will be very welcome. Dates and opening times in the flyer below.
Tag Archives: weybridge
Focused Moments, the exhibition
It is a year and 5 exhibitions since I decided to shift the focus of my photography towards the fine art side of things. This time last year I was exhibiting a series of Surrey landscapes in a joint exhibition with my shooting buddy, Jenifer Bunnett, at The Lightbox in Woking. Then, in March, we showed some of the images from that exhibition alongside new local landscapes in ‘A Certain Slant of Light’ at the Guildford Institute. In August, I hung a panel in ‘Light on the Land’ at the Mall Galleries, and in September, five black and white pictures in ‘Mistresses of Light’ at the Oxo Tower. It was a lot of work, and the learning curve was steep, but it was also great fun. However, the climax of all this has to be my first solo exhibition, ‘Focused Moments’, currently showing at Arté Gallery in Weybridge.
I needed a lot of images for this exhibition and I wanted to make sure I could offer something for all budgets and also remain true to my own style. I must have spent a small fortune (I daren’t add it up!) trying different papers and framing options. In the end, I went with three fine art papers in simple black frames and a few prints on aluminium. I also decided to have two special books made for visitors to browse. On the advice of the gallery owners, I have made these available as limited editions, and they seem to be going down well.
There is something really rewarding about filling a gallery. I have hung 60 images of which most are new pictures, taken in the last year, but there are some going back as far as 2009. When planning the hanging in this intriguing space with several different surfaces, it helped to create groups of images that worked together and then it was relatively easy to decide the order of the groups so that the exhibition flowed. I say easy – it still took us two full days to finish hanging the show!
Of course, there had to be a party. Many thanks to local lettings agents, Martin & Wheatley for sponsoring the opening. In a bout of last-minute nerves, I worried that no-one would come, but I needn’t have fretted. In the end, the event was buzzing, and we sold seven prints and two of my limited edition books during the course of the evening. Phew!
I think it’s important to be present at an exhibition as much as possible; people like to be able to talk to the exhibitor. I have had many interesting conversations at the gallery this week, some with old friends and some with new. And today I got to show my Dad around, which was really special.
If you have ever thought of trying something like this, I heartily recommend it. The experience has been amazing – exhausting, but amazing. It’s nice to sell, but even if I had sold nothing, it would still have been worth it. Many thanks to Mike and Sally at Arté Gallery for allowing me to bring my work into their lovely space, to my friend, Sam, for all the fetching, carrying and coffee and to my daughter, Maggie, for her excellent work as server and photographer at the private view. I couldn’t have done it without you!
Just horsing about
I have just returned from a few days of photography in Norfolk. I spent dawn this morning on the beach at Horsey Gap, watching grey seals. I particularly liked this mother and pup playing together in the surf.
My 365/50 is from this day in 2012: rowers on the Thames, seen from the bridge to Desborough Island.
Snow day
My 365/33 images are from this day in 2009. Overnight, we had experienced an unusually heavy snowfall. The children were delighted to have their first ever snow day. I must confess, I was quite excited too. We enjoyed a long walk, between snowball fights, and I snapped these on the River Thames towpath between Weybridge and Shepperton. in editing, I have deliberately over-exposed the images, trading texture in the snow for a light, airy look.
Echoes of times past
Today’s 365 is from 2009. It’s quite handy that I did a project 365 in 2009, as there are images from every day; helpful when I find that I didn’t shoot on that particular date in any other year I have on file. But still, I have to come up with a new image, or a re-edit at least. Some days when I did my first 365, I struggled to find one image worth downloading. Luckily, on 8th January I went for a stroll along my local waterway, the Wey Navigation, and took several pictures. Here’s one I hadn’t processed until now. It is a fitting image to choose in the context of a project that involves revisiting the past; the building reflected in this picture is a modern apartment block built as a pastiche to echo the Victorian mill that used to stand here. The original building could not be renovated as it burned down in 1963, in the last of many fires on this site (the perils of milling seed oil).
Waterworld
As some of you may have read on the news, here in Surrey we are experiencing some seriously epic flooding as the Thames bursts its banks.
We are safe and dry at home here, safely removed by a small hill from the danger, but I have friends who are anxiously watching as the water level rises ever higher.
I could hardly resist popping out today and yesterday to capture the changed landscape, or should I say waterscape, of my local area.
Messing about in boats
Still on an Autumn tack, I thought I’d share some seasonal shots of the different craft that can be found along the Wey Navigation in Weybridge.
Situated on the confluence of the Thames and the Wey, and with the Wey Navigation running through it as well, Weybridge has a lot of watercraft, of all shapes and sizes.
I am mostly content to admire them from the towpath, however.
Of course, there could only ever be one quotation for this post:
Believe me, my young friend, there is nothing – absolutely nothing – half so much worth doing as simply messing about in boats.
– Kenneth Grahame, The Wind in the Willows (1908)
Still Autumn, just…
There is a heavy hint of change in the air. The trees no longer bask in full Autumn glory. Instead, their leaves billow under the wheels of passing vehicles. Twice this week my day has begun with scraping frost from car windows. Staying out to photograph the sunset, my hands and feet became numb from the cold.
Perhaps in sympathy, it’s been all change in my digital life this week. I have finally downloaded Photoshop Creative Cloud and Lightroom 5. For photographers there’s a special subscription deal for just under £9 a month. That’s a huge discount, but hurry, it ends on 2nd December. It will take me a while to get to grips with Lightroom as I haven’t used it before but PS CC seems fairly intuitive, not too much of a leap from CS4.
One of the things that’s much improved from CS4 is the HDR facility. The image below is my first attempt. Just three exposures blended by PS CC. It’s certainly light years ahead of what CS4 would have produced but I’m still not sure about it. I had to tweak a lot to get it to look even vaguely natural. Perhaps it’s a good thing I have ordered some ND graduated filters so I can do it in camera instead!
Just to make life even harder, I also upgraded my iMac operating system from Snow Leopard to Mavericks. It seems mostly familiar but for some inexplicable reason I now have to scroll in the opposite direction. Mighty confusing! There’s probably a setting I need to tick somewhere. (Scratches head bemusedly.)
And, just to add to it all, I have finally given up on Redbubble and am working on creating a new website with Photium. More on that soon. In the meantime, I hope you enjoy these further images from my walk last week along the Wey Navigation towpath.
Autumn Falls
Last week I shared a picture of Coulson’s Weir on the Wey Navigation, Weybridge. This is another shot of the same place, taken on the same day but a couple of hours later. The light has become warmer and a cluster of oak leaves has fallen giving me some seasonal foreground. In fact, I like this one better than the first shot. I think the person on the bridge helps the composition, although I know a few very good landscapers who absolutely hate seeing people in their shots. I suppose this is not exactly a wild place and so a bit of human interest seems fitting. Which image do you prefer? And what are your views on figures in landscapes?
I realise I have been wittering on about the Wey Navigation recently but haven’t really explained what it is. I did a few posts about it last year, but that is a long time ago in blog-land! A longer post on the Navigation is in the pipeline, plus one on technique, and one on selling your images online. But first my incredibly slow internet has to finish downloading OS X Mavericks. So far, 8 hours and not even close to the middle of the progress bar! Rant over.
The wonderful Wey
Two more shots from my stroll along my local stretch of the Wey Navigation in Weybridge. The top one is a panorama, stitched from five separate vertical images to make a big 11000 by 7000 (approx) pixel file, which will make a mighty print, if I ever print it. The lower image is the same viewpoint as my moonrise shot last month.
I am now writing for a local website once a week and the second shot featured in my article last week.