4″, f/11, 35mm, ISO 200, Big Stopper and circ. polariser
The internet has, mostly, been a marvellous thing for enthusiast photographers, not least because images are readily available for our viewing and educational pleasure. Although there is still nothing quite like seeing an image in print, we no longer need to buy a magazine or go to an exhibition for our daily dose of photo inspiration.
1.6″, f/7.1, 70mm, ISO 200, Big Stopper and circ. polariser.
As most of us have realised, however, volume does not equal quality and discernment is a skill we must develop to become better photographers. One of the difficulties in our way is that fact that most photosharing sites, like Flickr and 500px, reward the high-impact, stand-alone image. Often, subtler images, that reward a more lingering gaze, are overlooked in the frenetic world of internet attention spans.
2″, f/8, 70mm. ISO 200, Big Stopper and circ. polariser.
Recently, I have found myself enjoying Adobe’s image-sharing site, Behance, not only because overall the standard of imagery is high, but because Behance is geared towards projects rather than stand-alone images. This is where the professionals hang out and, perhaps because they tend to be working on commissioned projects, the site abounds in sequences of images, connected visually and creatively into cohesive wholes. If you have not yet found Behance, I recommend a visit. Just select photography from the ‘creative fields’ drop down menu and soak up the gorgeousness.
20″, f/11, 70mm, ISO 50, Big Stopper and circ. polariser.
Inspired by what I have been seeing there, I have started to make sets of images, linked by style, subject or even colour. The five images posted here were all taken on the same day last week when I had to be in West Sussex. The weather was stormy, with sudden bursts of bright sunlight in front of heavy skies, so I decided to exploit that changeable feeling, deliberately using a variety of shutter speeds to capture the sea’s mood. By afternoon, the weather had eased but I attempted to carry the morning’s colour palette into the afternoon’s shoot, at Selsey Lifeboat station.
1/60, f/11, 16mm, ISO 50, Big Stopper and circ. polariser.
Incidentally, the second image is of a wrecked portion of WW2 mulberry harbour that has been rusting away on Aldwick beach for seventy years. Believe it or not, I grew up literally a stone’s throw from this wreck but have only now bothered to photograph it. Sometimes we overlook the things closest to us.