Helicopters without doors – the only way to fly

Let’s face it, helicopters are cool. They have to be one of the most exciting machines invented. The best bit of a helicopter flight? That moment immediately after lift off when the helicopter tilts in a way that no other aircraft can. Magic.

wave

I love simply riding in helicopters but it’s better if I can have my camera in my hand and, if I can have the doors off, better still. I’ve done a few doors-off shoots now and take the opportunity whenever I can. Only the cost stops me from doing more.  I love the perspective of looking straight down. Photographically, it’s achievable quite easily these days with a drone but I prefer the immediacy and connection of actually being up there myself. Besides which, in case I forgot to mention it, helicopters are cool.

Eagle I

So, it was a no-brainer during our recent trip to the USA that Pete and I should have at least one flight. In the end, we had two because it turns out helicopter flights are a lot cheaper there! First, we flew with Tuckermore Aviation over Boston Harbour. This is a regular sightseeing service over a set route. You get to fly over the city plus a couple of lovely lighthouses. The evening light we’d had for the rest of our week in Boston didn’t materialise but it was still loads of fun. Recommended.

Boston lighthouse

Moving on to Oregon, I’d arranged to charter a helicopter with Apex Helicopters out of Florence. As this was a private charter, Pete and I had the helicopter to ourselves for an hour. With my business hat on, I wanted to shoot the coast but, as a tourist, I was also hoping to see some grey whales. The best chance of seeing whales in Oregon is during migration which is long over by July but there are a few resident grey whales along the coast all year and we’d actually seen them from the shore almost every day, without even trying, so I had high hopes.

Kite surfer

Our pilot, Byron, was very experienced (a definite plus). He’d just come back from helping fight forest fires (very cool). Unfortunately, the only time he could do was at 5pm, rather early for the golden light I’d have preferred, but we went for it anyway.  I knew I wouldn’t find the colourful deltas photographed by others over locations like Iceland and Australia so I concentrated on capturing waves breaking on the shore and texture in the sand.

Byron was a great pilot and, if I get my way and we go back to Oregon, I’ll be calling him again.

Aerial Oregon I

Oh, and we did see whales.

whale IIGrey whale

Tides and Tempests

I had a great time at Patchings Art Festival earlier this month.  I had been asked by Outdoor Photography Magazine to give a talk. The Festival clashed with my prior commitment to Surrey Artists Open Studios so I could only make the last day, but I am glad I made the effort.  It was a lovely event, despite the relentless rain (where has summer gone?). I wasn’t nervous about talking as I am accustomed to giving presentations but I did wonder if anyone would bother to attend. I needn’t have worried – it was standing room only!  I have now published the introductory slideshow from my talk on YouTube and it can be viewed below or here.

I would like to thank Crywolf for giving me permission to use his epic music and Outdoor Photography Magazine for inviting me to talk.

 

 

 

About Waves and Imogen

wave

Poseidon Rising

Last month I published a collection of ‘wave monsters’. I have been down to the South Coast almost every week all through the winter, working mainly on fast-shutter captures of high seas. That’s a round trip of 140 miles at least once every week, usually getting down there in time for dawn. Often, my efforts have been rewarded with poor light or even driving rain. But it has still been one of my most exhilarating projects so far. Finally, my patience paid off, when Storm Imogen hit the coast earlier this month. Epic surf met great light, and I was one very happy, wave-obsessed photographer. So, I hope you will forgive me for one more surf-orientated post.  If, like me, you are addicted to seascapes, there are more on my website.

wave

Raptor

wave

Leviathan

wave

Thetis

wave

Panther

wave

Kraken

wave

Methuselah

wave

Landfall

Wave monsters

newhaven waves 2

Curly

This winter, I have managed to make it down to the coast at least once almost every week. We’ve had some big seas and interesting light, but not at the same time. Until this Tuesday, that is…

wave monsters-8

Horned monster

High tide and winds whipped up the surf, creating wave monsters backlit by rays bursting through low clouds.

wave monsters-6

No hands!

What a thrill! One of the best photoshoots I’ve had for a while.

wave monsters-5

White horses

Like most Brits, I am half-obsessed with the sea; if I could only photograph one thing for the rest of my life, it would be the sea.

wave monsters-11

Frills

I live in a landlocked county but, happily, the coast is an easy day trip away.  Back again next Tuesday!

wave monsters-4

Giant

For the curious, these images were all taken in Newhaven, East Sussex with a shutter speed of 1/800 to freeze the waves.

wave monsters-2

Phantom

I hope you enjoy meeting my wave creatures.

wave monsters-3

Whip

“My soul is full of longing
for the secret of the sea,
and the heart of the great ocean
sends a thrilling pulse through me.”

-Henry Wadsworth Longfellow 

Chalk and sea

One of the clients on my most recent workshop pointed out to me that it has been a long time since the last post on this blog! Shame on me!  So here’s a little summary of what I have been up to in the last few weeks, and some of my latest images.

desert island

Priory Bay, Isle of Wight

In my last post, I shared some pictures from Birling Gap, and I have been back there, as well as other locations nearby, a few times since.  My eye seems to be particularly drawn to chalk cliffs at the moment. Having been brought up on the south coast, they are very much the landscape of my youth and I now enjoy rediscovering them with my camera.

Seven Sisters evening

Seven sisters at dusk

While beguilingly beautiful, the South coast can also be dangerous, as I was reminded on one of my recent trips to Birling Gap.  I was, fortunately, standing out on the sand at low tide, when a huge chunk of the cliff came crashing down. No-one was hurt although there was a group of very shocked foreign students on the beach at the time. It was a sobering sight and, from now on, I will be more careful about heeding warnings not to stray too close to the cliffs.

C2C-49

Seven Sisters

Last week, I spent a few days in another chalky place, the Isle of Wight. Although the weather was trying, to say the least, there were some moments of good light and, let’s face it, it’s hard not to get a picture when at the coast.  It will take me a while to get through all the images I took, but here are a few ‘tasters’.

In other news, I was delighted to find out that one of my pictures has been selected for inclusion in the Outdoor Photographer of the Year book.  It is a year since I first submitted work to Outdoor Photography Magazine, easily my favourite photography publication. Since then, the magazine has published several of my images and commissioned a short article.  I have been bowled over by the enthusiasm and support I have received from them.

Fistral 1

Fistral beach – selected for Outdoor Photographer of the Year book

Regular readers will already be familiar with the work of my friend Jenifer Bunnett, who continues to be a great pal and enthusiastic companion on our photographic expeditions.  If you haven’t seen her work before, you can access her website by clicking on her name above.  I have also recently enjoyed outings with two other photographers, Sarah Medway and Lorraine Heaysmon, both committed landscape shooters with impressive portfolios. Photography can be a solitary activity and, while I really enjoy that solitude, it is also nice sometimes to share the adventure.

tog on the shore

A capture of Jen capturing a seascape on the Isle of Wight

My spare time (what spare time?) continues to be filled with judging at Surrey camera clubs and giving talks.  I recently presented a new talk,  ‘From Canal to Coast’ to Guildford Photographic Society which was well-received.  As a judge I am obliged also to compete in camera club competitions, which is fair enough when you think about it.  So, last month, I was pleased to win the Best Image trophy at Surrey Photographic Association’s 2015 Open Print competition.  I have shared the picture here before but I think a second airing is justified.

seascape

Of course, this is also the main season for f11 Workshops and we have had some great days out with our clients.  Our last workshop of the year was in West Sussex and, although the weather seemed determined to be gloomy, our persistence was eventually rewarded with some really special light.  My business partner, Tony Antoniou, and I will not make our own images when leading workshops, so I have no picture to share, but I have seen a few of our clients’ shots and am glad to say they did it justice.

east head sunset 2

The location of our workshop, but taken on another occasion.

Finally, Jen and I have had a couple of productive meetings about our pro bono project with the Basingstoke Canal and there will hopefully be some big developments on that front in the near future.

Phew! What a busy few weeks it has been!  What has been your best photographic adventure so far this winter?  Feel free to share in the comments below. 🙂

Birling Gap

birling gap pastels
I have spent the last two Tuesdays at Birling Gap in the South Downs National Park.
Gentle shore
Although I love discovering new locations, there is also a joy in revisiting known places.incoming tideThe light is always different, the seasons and weather change and, at the coast there is always the added variable of tides. chalk and pastels_The first Tuesday, a low tide revealed sand that reflected the cliffs and interesting sky:jen at birling gapOn my return this week, the tide was shallow, never uncovering the sand.  This created a very different mood:
Birling Gap 2I grew up in this part of the country so photography trips to the South Downs National Park always feel like a coming home.  seascape
The chalk-based landscape is really quite special and, at Birling Gap, I love the way grey rocks sit on the chalky base below the white cliffs…
chalky sea 2 …and the chalk makes the sea bright against a stormy sky.  chalky seaI am heading down to Sussex again tomorrow.  As always, I hope for interesting light.  But I know that I will enjoy this beautiful place no matter what the weather brings.

Surf’s up

waves and breakwater

f/11, .5″, ISO 100, 200mm

On Friday, Jenifer and I found time to head down to the coast.  Despite the bitter cold, we had loads of fun capturing the surf at Climping Beach.  A longer post from this shoot is in the pipeline, all about shutter speeds and waves.

Time to catch up with my 365 redux.  365/37 and 39 are from 2009.  Neither awfully good, but it seems I don’t take many pictures on 6th and 8th February in any year except for the year of my original project 365.  In keeping with my ‘rules’, I have attempted a better edit at least.  365/38 is from 2014.  I enjoy flipping reflections and cropping out the ‘original’.

Walton on Thames

365/37

London

365/38

surrey

365/39

Happy snapping Sunday

West Wittering

f/7.1, 1/60. 25mm, ISO 200

This is why I didn’t post yesterday: an epic full day of shooting in West Sussex.  More anon.   Yesterday’s and today’s 365 at the end.

 West Wittering

f/7.1, 1/80, 19mm, ISO 200

 West Wittering

f/7.1, 1/50, 35mm, ISO 200

 West Wittering

f/11, 0.3″, 16mm, ISO 100

 West Wittering

f/11, 0.3″, 16mm, ISO 100

365/4 and 5 are from January 2009.  I was a digital newbie, just learning my way around pixels and processing.  I would convert to shooting exclusively RAW later that month.  Never looked back really.

bird

365/4

snow

365/4

Where land meets sea

The last few weeks have been hard and blogging has been far from my mind. But I wanted to share this slideshow, which I made for a talk I gave in the summer at the Shed Gallery’s ‘Muse’ exhibition in Lyme Regis. It features a few of my own pictures, but mostly inspirational images by other photographers that I selected from the Gallery, on the theme of my talk, coastal photography. Being a very proud Mummy, I must add that my favourite thing about it is the music, an original score composed and recorded for the talk by my very talented daughter, Maggie Talibart. Not too shabby for thirteen!