Finally, some snow. Circumstances (traffic and trains) were against me this morning and it was late before I managed to get out into the landscape. The thaw had begun, but I made the best I could of it all. I was attracted to the bright stems of these coppiced trees against the white.
On this day in 2009, I was also out photographing snow. My 365/34 was captured just 200 yards from my home. Situated south of London and within the M25, we rarely see temperatures low enough to form icicles like these, so they were a novelty I had to snap.
I had a lovely day yesterday in the company of Jenifer Bunnett at Winkworth Arboretum in Surrey. Magical light and location, and a small starburst in keeping with this week’s theme. One of the many wonderful things about Autumn as a landscape photography season is that the sun never gets very high in the sky, making for softer light, longer shadows and the availability of starbursts filtered through leaves.
When winter closes in and the bare bones of trees are revealed, I like to create abstract images using ‘intentional camera movement’, or ‘panning’.
This technique is very easy. Simply select a slowish shutter speed and move the camera while the shutter is open. It helps to start the movement before pressing the shutter and to finish just after the exposure, to avoid jerky shapes in the image, unless that is what you’re after, of course! I also find the results generally much more pleasing if you move the camera in the direction of the dominant shape in your view, so vertically for trees.
Trees are not the only subject for this sort of technique. I have also panned landscapes, although there I move the camera horizontally rather than vertically. But winter forests do seem to be particularly suitable subjects.
I couldn’t resist including a mysterious figure in the last two images. The final one is for my son’s horror film project.
Do you ever play around with this technique? Please feel free to share your panned/camera movement images or other winter abstracts in the comments below; I would love to see them!
I thought that this tree tunnel at Pagham Harbour in West Sussex had a slightly fairy tale feel. When I edited the shot I was inspired by Jean Cocteau’s iconic film, La Belle et la Bête (1946). I wanted to create a black and white that captured something of the aesthetic of the film. It was just an experiment but fun to do.
Have you ever taken or edited a photo inspired by a favourite movie?