Beautiful Jersey

Another shot of my lighthouse muse, La Corbière on Jersey in the Channel Islands. Better compositions are to be had on the rocks below but high tides coincided with sunset during my recent trip so I had to make do with a higher vantage point. The long exposure time needed for the low light has softened and muted the waves. You will just have to take my word for it that they were crashing onto the rocks below and I would have been inundated had I stayed down there. On the upside, I enjoyed seeing how different the same composition could look at the same time on successive days.

Fort Grey



I have done battle with the binding machine and submitted the hard copies of my dissertation.  It is well and truly done.

I have already visited a few blogs and have plans to visit many more – I have missed the fun of sharing this great hobby with other enthusiasts.  I have lots of plans, plenty of photographic projects in the pipeline.  But I also want to share some of the photos I took during our holiday to the Channel Islands this year.    This is Fort Grey, on Guernsey’s West coast.  Inside, there is a fascinating shipwreck museum which I heartily recommend. It is never easy trying to do landscape photography on a family holiday.  At this location I noticed the best viewpoint of all just as we were driving away and couldn’t bring myself to ask the family to stop again while I captured it.  This will have to do.  Mostly it was too hazy while we were there and there weren’t enough clouds to make interesting sunsets, but this evening was an exception.

On Bournemouth Beach


What a wonderful afternoon I spent on Bournemouth Beach on Friday. You have to love the British seaside out of season; gorgeous expanses of pristine sand (Bournemouth is a Blue Flag beach) and hardly a soul about. I set myself a challenge and went equipped with only my wide angled lens (16-35mm on full frame).


It wasn’t the most spectacular of sunsets but gentle, beguiling, like the lapping waves. When I came to process these images, they seemed to demand a naturalistic approach.


With the horizons more or less in the centre of the frame, these images break the rules. I think that composing with the horizon on a third often works well as the photographer thereby communicates clearly what he or she is most interested in, the foreground or the sky. However, here I found myself wanting to efface the photographer from the landscape. And, truth be told, I just couldn’t bring myself to crop out any of that view. Half is the new third?