Still enjoying the memory of a peaceful, understated sunset on Bournemouth beach last Friday. After the sun had settled below the horizon, the colours subtly shifted towards blue, mauve and the gentlest, lingering pink.
What a wonderful afternoon I spent on Bournemouth Beach on Friday. You have to love the British seaside out of season; gorgeous expanses of pristine sand (Bournemouth is a Blue Flag beach) and hardly a soul about. I set myself a challenge and went equipped with only my wide angled lens (16-35mm on full frame).
It wasn’t the most spectacular of sunsets but gentle, beguiling, like the lapping waves. When I came to process these images, they seemed to demand a naturalistic approach.
With the horizons more or less in the centre of the frame, these images break the rules. I think that composing with the horizon on a third often works well as the photographer thereby communicates clearly what he or she is most interested in, the foreground or the sky. However, here I found myself wanting to efface the photographer from the landscape. And, truth be told, I just couldn’t bring myself to crop out any of that view. Half is the new third?